Posts Tagged ‘Worthy of Respect in a Democratic Society’
Danger! An Exhibition
Danger! An Exhibition with Frances Aviva Blane Danger! (on display at the PV ONLY, Tues, July 14th 6-8.) Slipware jug, 23h x 15w cm photo: Sylvain Deleu Text round the neck reads: This jug has been covered to protect you from its dangerous ideas. Text on the handle: There is no such thing as a…
Read MoreFebruary Dark and Cold
February Dark and Cold, 2019 Meeting Gemma, (not her real name) Gemma is a very young woman – a girl when we first encounter her – 15 years old, being sold for sex on the street in Kings Cross, London. She is obviously in need of shelter on a night such as this. Hostels are…
Read MoreChristine Keeler
Christine Keeler: An Uncertain Pilgrim, 2019 Introduction Christine Keeler briefly became an international celebrity in the early 1960s. She came to prominence because she was being sexually exploited some very powerful men. The trafficker, as he would now be known, that is the man who made her available for sex to these men who were…
Read MoreStreet Exit
Street Exit, 2019 Street Exit, 2019 60h x 28w cm photo: Sylvain Deleu From: ‘And the Door Opened,’ 2019-23 Street Exit is another of the pots that will be displayed in: Nature & Solitude, March 6th-8th, The Old Prison, Northleach, Gloucestershire, GL54 3JH. The Images on the Pot The images on the outside of the…
Read MoreVanity of the Bonfires
Vanity of the Bonfires Romola George Eliot’s ‘Romola,’ set in Florence in the 1490s, but written in England in 1862, presents a society where public discourse, people’s everyday lives – their social lives in particular – and street politics were strikingly similar to our own. The public mood was volatile. The Medicis had been expelled…
Read More2 Plus 2 Equals 5
2 Plus 2 Equals 5 Exploring Censorship in Art, 19202-20202 2 Plus 2 Equals 5 is the title of an exhibition at Not for Sale Gallery in Hackney Wick. The title is a reference to George Orwell’s use of the concept in 1984. ‘The Party’ adopts it as a fundamental tenet of belief to accustomise…
Read MoreVice and Virtue: the artists
Vice and Virtue: the artists Vice and Virtue is a mixed media exhibition by six artists who respond in substantially different ways to the rising religiosity of contemporary social justice movements. Much of the work was made specifically for the exhibition which continues until July 26th at Ruup & Form. This posts introduces the artists…
Read MoreEverygender
Everygender, the Jugs Everygender’s Vision, (top right) The Avenging Vessel, (bottom left) both jugs 43×32 (incl handle,) x 27 cm Photo: Sylvain Deleu Everygender, comprised of four jugs, tells a pictorial story of my expulsion from Ceramic Art London in 2022 based on the Medieval Morality Play, ‘Everyman.’ Everyman, (1530) ‘Everyman’ is thought to have…
Read MoreVice & Virtue
Vice and Virtue Introduction Vice and Virtue is the first exhibition I have curated. I am grateful to Ruup & Form for hosting and supporting this new departure which runs from June 20th – July 26th, 2024. The six artists I selected have responded to my proposal that contemporary social justice movements are becoming increasingly…
Read MoreA Nasty Piece of Work
A Nasty Piece of Work We’re Women! 2021 Version 1, 38 diam x 16 high cm The bowl ‘We’re Women,’ featured in this post, is currently showing in ‘Feminist Satire, No Safe Spaces,’ @u_jazdowski Castle, Warsaw, until Oct 1st 2023 An earlier version of this piece, a fired clay ‘sketch,’ (private collection,) will also be on show…
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