Large decorated slipware jug with handle

Everygender, the Jugs Everygender’s Vision, (top right) The Avenging Vessel, (bottom left) both jugs 43×32 (incl handle,) x 27 cm Photo: Sylvain Deleu Everygender, comprised of four jugs, tells a pictorial story of my expulsion from Ceramic Art London in 2022 based on the Medieval Morality Play, ‘Everyman.’ Everyman, (1530) ‘Everyman’ is thought to have…

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Continental Brexit

Woman in a red tee shirt holding a vase

Continental Brexit, 2018 Continental Brexit, 2018 Private Collection 30h x 27w cm Materials Handbuilt pot, decorated in coloured slips both inside and out. Fired, smashed, and rebuilt with gaps so the internal imagery is visible. Clear glazed, with bright pink aluminium leaf edging the gaps to frame the internal imagery. How it began Every so…

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Pimp State

A3 Feminist Poster

Pimp State, 2021 Introduction Pimp State is both a bowl and poster. It is a dystopian feminist satire on what I imagine the State would look like under the ‘full decrim’ regime. ‘Full Decriminalisation’ refers to a proposed model of legal reform that seeks to decriminalise men who pay for sex along with all third…

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Vice & Virtue

Pottery vase, flask shaped, slip-painted, glazed

Vice and Virtue Introduction: A New Departure I’m curating an exhibition for Summer, 2024, June 20th – July 26th Participating artists to be confirmed. The Venue is Ruup & Form, 7 Tilney Court, off Old street, Hoxton, London. In a sentence: the exhibition will explore and express the collision and fusion of religious beliefs with…

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Mrs Magnitude’s Emporium

Woman Studio Conversation

Mrs Magnitude’s Emporium Introducing the  Artist, Kay Leseeleur Ara I got back yesterday from two wonderful days in Jersey viewing @kay_leseelleur exhibition at @arthousejersey This is Kay’s first ever solo exhibition – she’s 82 so it’s been a long time coming – and she has not only taken the island by storm, she’s put Jersey…

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Find the Witch!

Big-pots standing-woman decorative feminist

Find the Witch! About the pot Find the Witch! is based on my many experiences of having pots either removed from exhibition or hidden, and having invitations to speak or perform revoked. This is sometimes referred to as being ‘cancelled.’ It is one of what will be a new series of pots called, ‘The Exploits…

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