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Vanity of the Bonfires
Vanity of the Bonfires Romola George Eliot’s ‘Romola,’ set in Florence in the 1490s, but written in England in 1862, presents a society where public discourse, people’s everyday lives – their social lives in particular – and street politics were strikingly similar to our own. The public mood was volatile. The Medicis had been expelled…
Read More2 Plus 2 Equals 5
2 Plus 2 Equals 5 Exploring Censorship in Art, 19202-20202 2 Plus 2 Equals 5 is the title of an exhibition at Not for Sale Gallery in Hackney Wick. The title is a reference to George Orwell’s use of the concept in 1984. ‘The Party’ adopts it as a fundamental tenet of belief to accustomise…
Read MoreVice and Virtue: the artists
Vice and Virtue: the artists Vice and Virtue is a mixed media exhibition by six artists who respond in substantially different ways to the rising religiosity of contemporary social justice movements. Much of the work was made specifically for the exhibition which continues until July 26th at Ruup & Form. This posts introduces the artists…
Read MoreEverygender
Everygender, the Jugs Everygender’s Vision, (top right) The Avenging Vessel, (bottom left) both jugs 43×32 (incl handle,) x 27 cm Photo: Sylvain Deleu Everygender, comprised of four jugs, tells a pictorial story of my expulsion from Ceramic Art London in 2022 based on the Medieval Morality Play, ‘Everyman.’ Everyman, (1530) ‘Everyman’ is thought to have…
Read MoreWedding Procession, 2011
Wedding Procession, 2011 .Wedding Procession, 2011 82h x 49w cm Private Collection Photo: Sylvain Deleu A Memorable Event Wedding Procession records the Royal Wedding of 2011, the marriage of Prince William to Katherine Middleton, as she was then. It took place in May that year and was memorable for reasons beyond the expected ones. Firstly,…
Read MoreContinental Brexit
Continental Brexit, 2018 Continental Brexit, 2018 Private Collection 30h x 27w cm Materials Handbuilt pot, decorated in coloured slips both inside and out. Fired, smashed, and rebuilt with gaps so the internal imagery is visible. Clear glazed, with bright pink aluminium leaf edging the gaps to frame the internal imagery. How it began Every so…
Read MoreColour Studies – Part one
Colour Studies Colour Studies – Part 1 This post is an introduction to the formal concerns of painting with slips on pots. By ‘painting,’ I mean the sort I learnt at art school in the early 1980s which evolved mainly from post Renaissance, Western European art. This starts the discussion of how that is done…
Read MoreThe Garden Vases
The Garden Vases, 2024 The Garden series, 2024 Will show at Collect24 with Ruup & Form Somerset House, Feb 28/9 pvs, Mar 1-3 public. Tickets via Collect24 Garden series has grown out of my life long love of gardens which I probably got from my mother and grandmother. It is that sense of an ‘in…
Read MoreWootton Exhibition
Wootton Exhibition Wootton Exhibition #2 I’m having an exhibition in Wootton by Woodstock, the village where I grew up. It is hosted by my sister who now lives there in the same house we lived in as children. The show runs all next week, Sunday 11th-Friday 16th February, by appointment. Contact me if you’d like…
Read MorePimp State
Pimp State, 2021 Introduction Pimp State is both a bowl and poster. It is a dystopian feminist satire on what I imagine the State would look like under the ‘full decrim’ regime. ‘Full Decriminalisation’ refers to a proposed model of legal reform that seeks to decriminalise men who pay for sex along with all third…
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